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DAVIDHOCKNEY
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  1. RESOURCES
  2. SELECTED WORKS IN PUBLIC COLLECTIONS
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MUSEO TAMAYO
Mexico City

•  Puppet Theatre For The Museo Tamayo, Mexico City
 1984, Acrylic on canvas, oil and plywood, 96 X 252 X 102 in

MUSEUM BOIJMANS-VAN BEUNINGEN
Rotterdam, The Netherlands

•  Monochrome Landscape With Lettering 1965, Acrylic on canvas, 48 X 48 in •  Two Deck Chairs, Calvi 1972, Acrylic on canvas, 60 X 48 in

MUSEUM CALOUSTE GULBENKIAN
Lisbon, Portugal

•  Pigs Escaping From A Hot Dog Machine 1961, Ink on paper
•  Renaissance Head 1963, Oil on canvas, 48 X 48 in
•  Figure In Helmet and Cloak 1963 India ink and Biro ballpoint pen on paper, 20 X 12 1/2 in

MUSEUM OF ART, RHODE ISLAND SCHOOL OF DESIGN, PROVIDENCE
Rhode Island

•  Peter Resting 1969, Pen and ink on paper, 14 X 17 in
•  Plastic Tree Plus City Hall Acrylic on paper, 62 3/4 X 48 3/4 in

MUSEUM OF CONTEMPORARY ART
Los Angeles

•  Jacques, Paris 1974, Colored pencil on paper, 19 3/4 X 25 1/2 in
•  Henry, Paris 1975, Crayon and pencil on paper, 30 1/2 X 24 1/2 in
•  Dwight Lilgh 1979 Pen and ink on paper, 17 X 14 in
•  Telephone Pole, Los Angeles, Sept. 1982, Photographic collage, 66 X 40 in

MUSEUM OF CONTEMPORARY ART
 Tokyo

•  A Lawn Sprinkler 1967, Acrylic on canvas, 48 X 48 in

MUSEUM OF FINE ARTS
 Boston

•  Celia In A Black Slip Reclining.Paris Dec 1973, Crayon on paper, 19 1/2 X 25 1/2 in
•  Luncheon At The British Embassy, Tokyo, Feb. 16, 1983 Photographic Collage         46 X 83 in
•  Garrowby Hill 1998, Oil on canvas, 61 1/2 X 77 1/2 in

MUSEUM OF MODERN ART
New York

•  Cecil Hotel 1963, Pencil, colored pencil and crayon on paper, 12 1/2 X 10 in
•  Beverly Hills Interior 1966,  Crayon on paper, 14 X 17 i.
•  Patrick Procktor In New York 1966, Pen and ink on paper, 17 X 14 in
•  Czar 1966, Pen and ink on paper, 13 3/8 X 12 in 
•  Portrait Of Peter, 1966, Pen and ink on paper, 18 7/8 X 23 3/4 in
•  Polish Army 1966, Crayon on paper, 14 1/2 X 19 1/2 in
•  Portrait 1966, Pencil on paper, 12 1/2 X 10 in
•  Ready Cleaners 1966, Pencil and colored pencil on paper, 10 7/8 X 13 in
•  Kerby (After Hogarth) Useful Knowledge 1975, Oil on canvas, 72 X 60 in
•  Zanzibar With Postcards Sea Tiresias and Husband From Parade Triple Bill 1980
        Crayon on paper, 18 3/4 X 24 in
•  Stephen Spender, Mas St. Jerome I, 1985, Photographic collage,
        21 1/2 X 17 1/2 in

MUSEUM OF MODERN ART
Vienna, Austria

•  Self-Portrait With Blue Guitar 1977, Oil on canvas, 60 X 72 in

MUSEUM WÜRTH
Kunzelsau, Germany

•   View from Terrace II 2003, Watercolor on paper, (8 sheets) 36¼ X 96 in
•   View from Terrace II 2003, Watercolor on paper, (8 sheets) 36¼ X 96 in
•   Felled Trees on Woldgate 2008, Oil on 2 canvases 60 x 96 in overall

NATIONAL MUSEUM & GALLERY
Cardiff Wales

•  The Actor 1964, Acrylic on canvas, 65 1/2 X 65 1/2 in

NATIONAL GALLERY OF AUSTRALIA
Canberra, Australia

•  Storm Music 1952, Gouache on paper, 12 X 24 1/2 in
•  Celia In A Black Dress With Red Stockings 1973, Crayon on paper, 25 1/2 X 19 1/2 in
•  A Diver (Paper Pool 17) 1978, Colored and pressed paper pulp (2 Panels), 72 X 171 in
•  Ken Tyler 1978, Sepia ink on paper, 17 X 14 in
•  A Bigger Grand Canyon 1998, Oil on 60 canvases, 81 1/2 X 293 in overall
•  Dead Tree Detail For A Bigger Grand Canyon 1998, Charcoal and ink on paper,
        30 1/4 X 22 1/2 in
•  Island Detail For A Bigger Grand Canyon 1998, Charcoal on paper, 22 1/2 X 30 1/4 in
•  Live Tree Detail For A Bigger Grand Canyon 1998, Charcoal on paper, 22 1/2 X 30 1/4 in

NATIONAL GALLERY OF VICTORIA
Melbourne, Australia

•  Figure For The Second Marriage 1962, Pen and ink on paper, 10 X 12 1/2 in
•  The Second Marriage 1963, Oil, Gouache and collage on canvas, 77 3/4 X 90 in
•  Peter Doing A Watercolor In Italy 1967, Pen and ink on paper, 13 7/8 X 17 in

NATIONAL PORTRAIT GALLERY
London

•  Peter Maxwell Davies & Harrison Birtwhistle 1970, Ink on paper, 14 X 17 in
•  Self Portraits 30th Sept. 1983, Charcoal on paper, 30 X 22 1/2 in
•  Drue Heinz, Como. April 2004 2004, Ink & Watercolor on paper, 16 1/8 X 12 3/16 in
•  Drue With Blue Hat 2002, Ink on Paper, 16 1/4 X 12 1/4 in
•  George and Mary Christie 2002, Watercolor on paper (4 Sheets), 48 X 36 in
•  Lucian Freud 2002, Ink on paper, 24 X 18 1/8 in

NELSON-ATKINS MUSEUM OF ART
Kansas City, Missouri

•  Invented Man Revealing Still Life 1975, Oil on canvas, 36 X 28 1/2 in

THE PHILLIPS COLLECTION
Washington, DC

•  Three Men 1966, Ink on paper, 15 3/8 X 19 5/8 in

RINGLING MUSEUM OF ART
Sarasota, Florida

•  Gregory Sleeping 1978, Ink on paper, 14 X 17 in
•  Christopher Isherwood Talking To Bob Holman, Santa Moncia, March 14, 1983
Photographic collage, 43 1/2 X 64 1/2 in

ROYAL ACADEMY OF ARTS
London

•  Double Study For A Closer Grand Canyon 1998, Oil on Two Canvases,
71 1/2 X 47 3/4 in Overall

SAN FRANCISCO MUSEUM OF MODERN ART
San Francisco

•  A Large Diver (Paper Pool 27) 1978, Colored and Pressed Paper Pulp, 72 X 171 in

•  Shirley Goldfard and Gregory Masurovsky 1974, Acrylic on canvas, 45 X 84 in

SANTA BARBARA MUSEUM OF ART
Santa Barbara, California

•  The Brooklyn Bridge, Nov. 28, 1982 1982, Photographic Collage, 109 X 58 in
•  Chair, Jardin De Luxembourg, Paris 10th August 1985 1985, Photographic Collage,
        30 1/4 X 25 3/4 in

SIFTUNG LUDWIG WIEN
Austria

•  Self-Portrait With Blue Guitar 1977, Oil on canvas, 60 X 72 in

SMITHSONIAN AMERICAN ART MUSEUM
Washington, DC

•  Double Entrance 1993-95, Oil on Two Canvases, 72 X 168 in Overall
•  Snail’s Space with Vari-Lites,‘Painting As Performance’ 1995-96,
        Oil on two canvases, acrylic on canvas-covered masonite, wood dowels, 84 X 264 X 135 in overall

STAEDEL MUSEUM
Frankfurt

•  Jump, 1960 Oil on canvas, 30 X 20 in

STEDELIJK MUSEUM VOOR ACTUELE KUNST
Ghent, Belgium

•  A Man Stood In Front Of His House With Rain Descending 1962, Oil on canvas,
        90 X 60 in

STIFTUNG MUSEUM KUNSTPALAST
Dusseldorf

•  Flight Into Italy, Swiss Landscape, 1962 Oil on canvas, 72 X 72 in

TATE GALLERY
London

•  Doll Boy 1960 
•  The Third Love Painting 1960, Oil on board, 46 3/4 X 46 3/4 in
•  Tea Painting In An Illusionistic Style 1961, Oil on canvas, 78 X 30 in
•  The First Marriage (A Marriage Of Style) 1962, Oil on canvas, 72 X 60 in
•  Bob, London 1964, Crayon on paper, 19 5/8 X 15 3/4 in
•  Man In Shower In Beverly Hills 1964, Acrylic on canvas, 65 1/2 X 65 1/2 in
•  A Bigger Splash 1967, Acrylic on canvas, 96 X 96 in
•  Study For Mr. & Mrs. Clark & Percy II 1970, Pencil on paper, 17 X 14 in
•  Study For Mr. & Mrs. Clark & Percy III 1970, Pencil on paper, 17 X 14 in
•  Study For Mr. & Mrs. Clark & Percy IV 1970, Pencil on paper, 10 3/4 X 16 in
•  Mr. and Mrs. Clark and Percy 1970-71, Acrylic on canvas, 84 X 120 in
•  The Artist’s Mother, Bradford 1972, Ink on paper, 17 X 14 in 
•  My Parents 1977, Oil on canvas, 72 X 72 in
•  George Lawson and Wayne Sleep, 1972-75, Oil on canvas, 72 X 72 in
•  Bigger Trees Near Warter or/ou Peinture sur le Motif Pour le Nouvel Age Post-Photographique, 
       
 2007, Oil on 50 canvases, 180 X 480 in overall
 

TOCHIGI PREFECTURAL MUSEUM OF FINE ARTS
Utsunomiya, Japan

•  Eccleshill, Near Bradford 1957, Oil on Board, 20 X 25 in
•  The Island, 1971, Acrylic on canvas, 60 X 72 in

UNIVERSITY ART MUSEUM, CALIFORNIA STATE UNIVERSITY
Long Beach

•  Watercolor for Parade with Two Ds - An Evening of French Musical Theatre
        1980-1982, Watercolor, acrylic and ink, 22 1/4 X 15 in

VICTORIA AND ALBERT MUSEUM, London

•  First Dignitary 1961, Charcoal and Watercolor on paper, 25 3/4 X 17 7/8 in
•  Second Dignitary 1961, Charcoal and Watercolor on paper, 25 3/4 X 17 7/8 in
•  Third Dignitary 1961, Charcoal and Watercolor on paper, 25 3/4 X 17 7/8 in
•  Man Running Towards A Bit Of Blue 1963, Pencil, Crayon on paper, 24 3/4 X 20 1/2 in
•  Man Peeping, 1963, Pencil and Colored Chalk, 20 X 12 1/2 in
•  Portrait Of A Man, Ink, Pencil and Crayon on paper, 25 X 23 1/2 in
•  Untitled Study For A Painting 1967, Watercolor on paper, 18 X 24 in
•  Preliminary Studies For Illustrations To The Portfolio "Six Fairy Tales From The Brothers Grimm",
1969, Pen and ink on paper, Various sizes
•  The Scrabble Game, Jan. 1, 1983 1983, Photographic Collage, 39 X 58 in

VIRGINIA MUSEUM OF FINE ARTS,
 Richmond, Virginia

•  Blue Interior and Two Still Lifes, 1965 1965, Acrylic on canvas, 59 3/4 X 59 3/4 in
•  Parade With Unfinished Backdrop 1980, Acrylic on canvas, 60 X 72 in

WALKER ART CENTER
Minneapolis, Minnesota

•  Green Pool With Diving Board and Shadow (Paper Pool 3) 1978,
Colored and        pressed paper pulp, 50 1/2 X 31 7/8 in
•  Gregory In The Pool (Paper Pool 4) 1978, Colored and pressed paper pulp,
        33 3/4 X 50 in
•  Piscine A Minuit (Paper Pool 19) 1978, Colored and Pressed Paper Pulp, 72 X 85 1/2 in
•  Steps With Shadow (Paper Pool 2) 1978, Colored and Pressed Paper Pulp,
        50 1/2 X 33 1/2 in
•  Sunflower (Paper Pool 1) 1978, Colored and Pressed Paper Pulp, 42 5/8 X 32 1/8 in
•  Sunflower #1f 1978, Colored and Pressed Paper Pulp, 42 X 32 in
•  Hollywood Hills House 1981-82, Oil, Charcoal & Collage on canvas, 60 X 120 in
•  Drawing For Magic Flute 1983, Tempera on foamcore, 10 X 22 1/4 X 11 1/2 in
•  Drawing For Magic Flute – I 1983, Tempera on foamcore, 10 X 22 in
•  Drawing For Magic Flute – II 1983, Tempera on foamcore, 5 1/2 X 10 3/4 in
•  Model For Ravel’s Garden 1983, Gouache on foamcore, 25 X 73 34 X 48 1/2 in
•  Model For The Rake’s Progress 1983, Felt Marker, Tempera on foamcore, 5 X 24 X 31 in
•  Model For Oedipus Rex 1983, Gouache, Tempera on foamcore, 6 X 14 X 7 1/2 in
•  Model For L’enfant Et Les Sortileges (Ravel’s Garden) 1983, Styrofoam, Plaster,
      Gouache, Tempera on foamcore, 6 3/4 X 26 X 14 in
•  Model For Les Mamelles De Tiresias 1983, Gouache, Tempera on foamcore,
      6 1/4 X 13 1/4 X 5 3/8 in
•  Plans For Gallery Le Rossignol N.D., Acrylic, Graphite and Marker on foamcore
•  Plans For Gallery Le Sacre Du Printemps N.D., Paint on Three Sheets Of Foamcore

 

WALKER ART GALLERY, NATIONAL MUSEUMS & GALLERIES ON MERSEYSIDE
Liverpool, England

•  Peter Getting Out Of Nick’s Pool 1966, Acrylic on canvas, 84 X 84 in

 

WHITWORTH ART GALLERY, UNIVERSITY OF MANCHESTER
Manchester, England

•  Peter Schlesinger 1967, Penci and Chalk on paper, (428 X 356 Mm)
•  Chairs, Mamounia Hotel, Marrakesh 1971, Crayon on paper, 14 X 17 in

YORK ART GALLERY
York, England

•  Egyptian Head Disappearing Into Descending Clouds 1961,
Oil on canvas with title printed on Wooden Frame, 20 1/2 X 16 in

 

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